在东西分裂的伦敦所展开的，少女们的谍战动作剧！舞台是19世纪末，被巨大的墙壁东西分断的阿尔比恩王国的首都伦敦。在传统与礼仪的名门梅菲尔女王校，有5位少女在此就学。她们以女高中生为伪装，展开间谍活动。化装、谍报、潜入、驱车追逐……。少女们活用各自的能力，在影之世界来回飞奔。“我们是什么？”“间谍。是满口谎言的生物”
好莱坞真人电影《大侦探皮卡丘》（暂译）讲述了蒂姆·古德曼（贾 斯 提·史密斯饰） 为寻找下落不明的父亲来到莱姆市，意外与父亲的前宝可梦搭档大侦探皮卡丘相遇，并惊讶地发现自己是唯一能听懂皮卡丘说话的人类，他们决定组队踏上揭开真相的刺激冒险之路。探案过程中他们邂逅了各式各样 的宝可梦，并意外发现了一个足以毁灭整个宝可梦宇宙的惊天阴谋。该电影改编自任天堂3DS同名游戏，由罗伯·莱特曼导演，瑞安·雷诺兹为大侦探皮卡丘配音，贾斯提斯·史密斯、凯瑟琳·纽顿等主演。
斯隆·卡特是一个年轻的女孩，最近失去了视力。她的父亲周末离开，她的两个最好的朋友，从大学回家陪着她。她父亲的一个学生，经过镇子需要过夜。和平的周末被一个隐秘的危险打断了，乡村逃亡变成了一场为生存而战的战斗。
内详
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
泉乡山庄成是个繁华、热闹的地方，如果却显得死气沉沉，陪伴它的只有风声和等待归来的主人！赵文清是这个山庄的主人，在一次山难中救了黄丽云，却因此手上而不能人道！丽云为了报恩而嫁给他，两人过着恩爱的生活。日积月累，两人却无法享受夫妻之间的鱼水之欢，直到一位研究生方永远住进山庄后，一切都因之而改变！
由于缘分和巧合，两个青年人合作直播销售滞销房（前租户为情所困自杀在屋内），在解决工作困难的同时，两人破除自己内心的障碍，发生了一连串令人啼笑皆非的故事
After she inherits an Italian restaurant in Brooklyn, manager Amy teams up with a blacklisted master chef looking for a second chance. They discover that the most important ingredient for any recipe is always love.
高大帅气的陈梓浩可以说是当今社会中成功男人的典范，他拥有令人尖叫的外形，更是令拜金女们两眼放光的大型企业老总只不过完美总是可遇不可求的事情，在事业上顺风顺水、目标远大的陈，感情生活则一直空窗，只因其性格的原因令心仪的另一半迟迟不曾路面。这一天，陈邂逅为了躲避父母逼婚偷偷跑回国的小美女叶婷，对方活泼而主动的性格，促使他笨拙地敞开封闭已久的爱情大门。在陈的公司担任文秘的佟心雨为爱甘愿承受一切，她和陆一平是相守多年的校园情侣，而在残酷社会现实的碾压下，看似纯真美好的爱情也不可避免出现了裂痕。匆忙的现代都会，可有一份令人足以托付终身的爱情？
在一次学校事件后，来自不同社会阶层的单身母亲团结在一起成立了一个互助小组